About this series
A trilogy of experimental shorts by French filmmaker, Jean-Claude Brisseau. Utilizing the same cast members each film acts out repeating motifs of morbid meditation, erotic daydreams, and violent death. Seemingly a product of the cultural malaise leading to Mai '68, the connection is made explicit with documentary footage in the final silent entry, 'L'Après-midi d'un jeune homme qui s'ennuie.'
All films — in order
1
On Sunday Afternoon
A voice, warm and heartbreaking, that of Brisseau himself, coils over black and white images. The tone was set very quickly: "To wake up is to be born again in the world of despair." 'On Sunday afternoon' is a film all at once clinical and theoretical on melancholy in the strong sense of the famous "black bile" of the Greeks whose author seems to want to make a complete turn, from his tragic dimension to his psychological dimension, even ending his film with a long quote from Freud's 'Mourning and Melancholia'.
2
The Afternoon of a Bored Young Man
Paris, Latin Quarter, May 1968. Images of barricades and police movements in the street. In his bedroom, on his bed, a young man indulges in daydreams that invade the whole space.
3
Death in the Afternoon
A man stabbed to death is haunted by his memories and fantasies while dying alone.
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