A trilogy (Elsa Kirk, Catherine Street, Creased Robe Smile) centered on photographic contact sheets of three different women from the mid-Sixties. Klahr builds imaginary settings for each: Elsa Kirk (99) has the trappings of film noir while Creased Robe Smile (01) is the closest the filmmaker has come to making a Hollywood musical.
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The Aperture of Ghostings
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