About this movie
"The artist looks at scenes of a woman (Pour Hosseini) and a man at the Iranian Maranjab Desert through the texture of a film strip on top of it, and through its sprocket holes. Dirt, flare, and red ink printed on the celluloid add to the images of the landscape a patina of optical illusions, even though the original moving images were, by definition, tricking the eye in first place." - Mónica Savirón, Museum of the Moving Image
Quick facts
Your reaction
Questions about Mirage
📲 Send the link to a WhatsApp or Telegram group.
Once someone clicks it, your access is unlocked automatically.
Waiting for someone to click the link…
Link clicked! Access unlocked.
🎬 Share to your group — instant access, no sign-up required
